Oratorio could be produced much less expensively than opera: English singers were far less expensive than Italian divas costumes, sets, and stage machinery were not required and oratorio required far less rehearsal time, since they were neither staged nor memorized. Charles Jennens had been an admirer of Handel’s since at least 1725, when he had become a subscriber of Handel’s published operas, purchasing their scores as they were published. The two met in the mid 1730s, and Jennens soon after b
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Ahead of our upcoming performances of the original Dublin version of Handel’s Messiah, Soprano Brianna Louwen shares thoughts on this greatest of works. You can catch Brianna sing in our performances at City Recital Hall 27 Nov-3 Dec. | Pinchgut Opera | Facebook
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61K views | Discover Handel’s original vision of Messiah — a majestic fusion of music and spirit. A luminous celebration of hope and renewal, just as the first audiences heard it. Limited performances only. | Pinchgut Opera | Facebook
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14K views · 379 reactions | During the 2019–20 season, Handel's tale of intrigue and impropriety in ancient Rome receives its first Met performances, with mezzo-soprano Joyce DiDonato as the controlling, power-hungry Agrippina. Harry Bicket conducts. Learn More: bit.ly/2SUtBPT | The Metropolitan Opera | Facebook
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56K views · 2.1K reactions | Mezzo-soprano Joyce DiDonato rehearses for her upcoming performances as Handel’s cunning empress in the Met premiere of Agrippina, opening February 6. On stage through March 7: bit.ly/2Sifsdu Live in HD February 29: bit.ly/2G4qAn5 Videography by Pete Scalzitti / Met Opera | The Metropolitan Opera | Facebook
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40K views · 1.2K reactions | The wonderful aria ‘Tornami a vagheggiar’, from Handel’s 1735 opera Alcina – sung by soprano Mary Bevan with pianist Michael Papadopoulos at London’s Royal Opera House . | Classic FM | Facebook
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1.9K views · 35 reactions | A Year in Review: Handel’s Acis and Galatea✨ Congratulations to all of our artists, creative team and production team on a thrilling run of Handel’s Acis and Galatea! Three performances and three standing ovations from an ecstatic audience, which included a record number of students and young people. We look forward to bringing all of these marvelous artists back to Toronto next year! | Opera Atelier | Facebook
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